Unlisted Music

Exploring the Innovative and Unique Sound of Scritti Politti

Scritti Politti Overview

Scritti Politti is a band that was formed in Leeds, England in 1977. The band was initially known for their punk sound, but they would later evolve into a new wave and funk band.

Scritti Politti has always been known for their experimental sound, which has made them a unique and special band in the music industry.

Band Evolution

Scritti Politti began their musical journey as a punk band in the late 70s. This style was carried over into their first album, “Songs to Remember” in 1982.

The album was a mix of pop, soul, and funk with a punk edge. The band’s sound would continue to evolve, and by the release of their second album, “Cupid & Psyche 85”, they would become a new wave and funk band.

The album produced several hits, including “Absolute”, “Wood Beez (Pray Like Aretha Franklin)”, and “The Word Girl”. The band continued to evolve with each album release, experimenting with various musical styles and incorporating them into their sound.

Discography

Scritti Politti has released nine studio albums over their career. Some of their most notable releases include “Songs to Remember”, “Cupid & Psyche 85”, “White Bread Black Beer” and “Anomie & Bonhomie”.

“Songs to Remember” features the band’s early punk sound mixed with pop, soul, and funk. “Cupid & Psyche 85” was one of the band’s most successful albums and helped establish them as a new wave and funk band.

“White Bread Black Beer” showcased the band’s later sound and featured more electronic elements. “Anomie & Bonhomie” marked a return to the band’s harder sound, and was more experimental in nature.

“Take Me in Your Arms and Love Me”

“Take Me in Your Arms and Love Me” is a song by Scritti Politti featuring Sweetie Irie. The song was released in 1999 and is a mix of funk, reggae, and electronic elements.

The song features a funky bassline and a horn section that adds to the upbeat and catchy rhythm. Sweetie Irie’s reggae-infused vocals add to the song’s energy and provide a unique contrast to the electronic elements.

The song’s lyrics are centered around intimacy and connection, with the chorus stating “Take me in your arms and love me, never let me go”. The song manages to capture the feeling of being in love and wanting nothing more than to be close to the person you love.

The blend of different musical styles in the song helps to create a unique and memorable sound that is distinctly Scritti Politti.

Conclusion

Scritti Politti has had an illustrious career, experimenting with various musical styles and sounds to create their unique and unforgettable sound. Their early punk sound evolved into a new wave and funk sound that helped establish the band as one of the most innovative in the music industry.

“Take Me in Your Arms and Love Me” is an excellent example of the different musical elements that the band was able to blend together seamlessly. It’s a testament to the band’s creativity and the unique sound that they have been able to create over their career.

Scritti Politti’s legacy is one that is sure to continue to influence and inspire musicians for years to come. “The Sweetest Girl”

“The Sweetest Girl” is a song by Scritti Politti featuring vocals from Green Gartside and ranking member of Dr. Buzzard’s Original Savannah Band, Melle Mel.

The song was released in 1981 as a single and is a mix of catchy new wave and electronic elements with an acoustic guitar. The song’s sound was unlike any other, which helped it become a hit in the UK charts.

The song tells the story of unrequited love. Gartside expresses his desire for a woman who doesn’t reciprocate his feelings.

The lyrics are cleverly written, with Gartside using metaphors and imagery to illustrate his pain. The chorus of the song sums up the theme perfectly, with Gartside singing “You’re the sweetest girl I’ve ever known, but I’m alone, and I need you.”

The electronic beats of the song are a standout feature.

The beats give the song an upbeat tempo, which contrasts with the melancholy lyrics. The acoustic guitar adds a slightly different tone to the song, making it stand out from other new wave songs of its era.

“Hypnotize”

“Hypnotize” is another successful song by Scritti Politti. It was released in 1985 and featured vocals from jazz and funk singer, Miles Davis.

The song is an upbeat and funky track with soulful lyrics. The song’s lyrics are centered around desire and attraction.

Davis sings, “You tease and you tantalize, until I’m hypnotized”. There’s an earnestness to the vocals that communicates the intensity of the attraction that Davis is feeling.

The chorus of the song perfectly encapsulates the theme, with Davis singing, “Hypnotize, hypnotize me, I want to be a part of you.”

The song’s funky bassline and upbeat tempo stand out and make it a memorable track. The soulful vocals of Davis add a layer of emotion to the song, making it more than just a catchy upbeat track.

“Hypnotize” is a masterclass in how Scritti Politti could blend together different styles to create a unique sound that was memorable and catchy.

Conclusion

Scritti Politti is a band that was able to embrace different musical styles and create unique sounds that are still memorable today. “The Sweetest Girl” and “Hypnotize” are just two examples of the band’s ability to blend electronic, acoustic, new wave, funk, and soul to create amazing pieces of music.

The band’s lyrics are just as memorable as their sound, with themes of desire, attraction, and unrequited love appearing in many of their songs. Scritti Politti’s legacy can still be felt in music today, with their ability to create a distinct sound and innovative approach to music continuing to be an inspiration to artists.

“She’s a Woman”

“She’s a Woman” is a song by Scritti Politti featuring vocals from reggae artist Ranking Ann. The song was released in 1983 and was a departure from the band’s usual sound.

The song is heavily influenced by Jamaican dancehall music, with Ranking Ann providing the distinctive and infectious vocals that make the song so memorable. The song’s main theme is the celebration of a strong and independent woman.

The lyrics communicate this message effectively through Ranking Ann’s confident and assertive vocals. The chorus of the song sums up the theme, with Ranking Ann singing, “She’s the woman of the hour, she’s the one in control, she’s the one with the power, she’s the queen of the whole, whole world.”

The groovy and funky beat of the song adds to the impression of the song’s theme.

The beat is danceable, and the upbeat tempo of the song makes it a joy to listen to. “She’s a Woman” is a standout track in Scritti Politti’s discography.

“Oh Patti (Don’t Feel Sorry for Loverboy)”

“Oh Patti (Don’t Feel Sorry for Loverboy)” is a song by Scritti Politti released in 1988. The song is a mix of pop and funk, a style that was popular in the 1980s.

The song’s lyrics deal with heartbreak, with the protagonist trying to come to terms with the end of a relationship. The song’s lyrics are both poignant and upbeat.

The upbeat tempo and catchy chorus of the song create a sense of hopefulness in the face of heartbreak. The chorus reinforces this message, with Gartside singing, “Oh Patti, don’t feel sorry for loverboy, when there’s a chance that he’ll be there for you.”

The song’s pop and funk sound were popular at the time, and “Oh Patti” showcases Scritti Politti’s ability to embrace different styles.

The song’s lyrics and sound create a sense of nostalgia for a bygone era, but the message is timeless, encouraging listeners to remain optimistic even in difficult circumstances.

Conclusion

“She’s a Woman” and “Oh Patti (Don’t Feel Sorry for Loverboy)” are both great examples of Scritti Politti’s ability to experiment with different musical styles and themes. “She’s a Woman” showcases the band’s ability to incorporate elements of Jamaican dancehall music to create a vibrant and confident sound that celebrates strong and independent women.

“Oh Patti” is a classic 1980s pop and funk song that deals with a timeless theme of heartbreak. Both songs showcase Scritti Politti’s ability to create catchy and memorable tracks while delivering meaningful messages.

Scritti Politti’s discography continues to inspire and influence musicians, with their unique sound still appreciated in music today. “The Word Girl”

“The Word Girl” is a song by Scritti Politti released in 1985.

The song is a mix of pop, soul, and funk and features a seductive and energetic vocal performance from Green Gartside. The song’s lyrics are centered around the power of language and the seductive power of a woman’s words.

The song’s funky and energetic beat sets the tone for the song, with the driving bass and drums adding to the song’s overall vibe. The chorus of the song is an earworm that gets stuck in your head, with Gartside singing, “To have the last word, it’s like sweet, sweet music, is my one and only ambition.” Gartside’s vocals are both seductive and confident, making the song’s theme stand out even more.

The song’s style was unique at the time, blending together pop, soul, and funk to create a danceable and memorable track that stands the test of time. “The Word Girl” is an excellent example of Scritti Politti’s ability to incorporate different styles into their music to create something truly special.

“Boom! There She Was”

“Boom! There She Was” is a song by Scritti Politti featuring Roger Troutman and released in 1988. The song was a hit in the US dance chart and is a danceable and funky track that features Troutman’s signature talkbox effect.

The song’s lyrics are centered around a mysterious woman who is captivating and irresistible. The chorus of the song reinforces this idea, with Gartside singing, “Boom! There she was, just a-walkin’ down the street, singin’ do wah diddy diddy dum diddy do.” The song’s playful lyrics are accompanied by a funky and upbeat tempo that makes it impossible not to dance along.

Troutman’s use of the talkbox added a unique and futuristic element to the song that was popular at the time. It added to the song’s sense of mystery, creating an otherworldly sound that helped the song stand out.

“Boom! There She Was” is a perfect example of a collaboration that worked perfectly, with Troutman’s signature style complementing Scritti Politti’s funky and danceable sound.

Conclusion

“The Word Girl” and “Boom! There She Was” are prime examples of Scritti Politti’s ability to incorporate different styles into their music. “The Word Girl” is a seductive and energetic track that blends together pop, soul, and funk to create something unique and memorable.

“Boom! There She Was” is a danceable and funky tune that features Roger Troutman’s signature talkbox and adds a futuristic element to the music. Both songs showcase Scritti Politti’s creativity and ability to collaborate with other artists to create something truly special.

“Perfect Way”

“Perfect Way” is a song by Scritti Politti released in 1985. The song is a mix of synth-pop, electronic, and acoustic elements that create a unique and catchy sound.

The song’s lyrics are centered around everyday life and focusing on what is important. The song’s electronic and synth-driven beat set the tone for the song, with the acoustic elements adding an extra layer of texture to the sound.

The chorus of the song is an earworm that gets stuck in your head, with Gartside singing, “This could be the perfect way to end the perfect day.” The song’s lyrics are both relatable and aspirational, focusing on the small moments in life that make it worthwhile. “Perfect Way” is an excellent example of Scritti Politti’s ability to blend together different musical styles to create something unique and memorable.

The song’s sound and lyrics are both catchy and uplifting, creating a sense of positivity that is infectious. “Wood Beez (Pray Like Aretha Franklin)”

“Wood Beez (Pray Like Aretha Franklin)” is a song by Scritti Politti released in 1984.

The song is synth-driven and features a sample of Aretha Franklin’s “Until You Come Back to Me (That’s What I’m Gonna Do).” The song’s lyrics are centered around desire and love, with references to Franklin’s music and style adding to the song’s overall vibe. The song’s use of the sample adds extra depth to the song, with Franklin’s voice and music serving as a backdrop for the song’s message.

The song’s catchy chorus is unforgettable, with Gartside singing, “Wood beeze (like Aretha Franklin), wouldn’t that be nice? Wood beeze (like Franklin), don’t you think we should?” The song’s style was popular at the time and helped it reach number 10 on the UK singles chart.

“Wood Beez” showcases Scritti Politti’s ability to incorporate different elements into their music, with the use of the sample adding to the song’s overall sound and style. The song’s lyrics are both playful and romantic, making it a memorable track that is still popular today.

Conclusion

“Perfect Way” and “Wood Beez (Pray Like Aretha Franklin)” are both examples of Scritti Politti’s ability to craft catchy and memorable songs. “Perfect Way” showcases the band’s ability to incorporate electronic, synth-pop, and acoustic elements to create a unique and uplifting sound.

“Wood Beez” showcases the band’s ability to incorporate samples and create a synth-driven sound that was popular at the time. Both songs are timeless classics that demonstrate Scritti Politti’s range and ability to experiment with different styles.

In conclusion, Scritti Politti is a band that has left an indelible mark on the music industry. Through their ability to experiment with different musical styles and incorporate new elements into their sound, the band has created a unique and unforgettable sound that continues to inspire and influence musicians today.

Their ability to write catchy and memorable songs with relatable themes and powerful messages continues to resonate with listeners. The legacy of Scritti Politti is one of creativity, innovation, and excellence in music, and their contributions to the music industry will continue to be appreciated for years to come.

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